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Antonio Francesco Gori
Antonio Francesco Gori, on his titlepages Franciscus Gorius (9 December 1691 – 20 January 1757) was a Florentine antiquarian, a priest in minor orders, provost of the Baptistery of San Giovanni from 1746,〔Date from (''Dictionary of Art Historians'' )); in this capacity he transcribed the description of the Baptistery by senator Carlo Strozzi (1587-1670), which is otherwise lost. (Gary M Radke, and Andrew Butterfield, ''The Gates of Paradise: Lorenzo Ghiberti's Renaissance Masterpiece'' (2007:82).〕 and a professor at the Liceo, whose numerous publications of ancient Roman sculpture and antiquities formed part of the repertory on which 18th-century scholarship as well as the artistic movement of neoclassicism were based. In 1735 he was a founding member of a circle of antiquaries and connoisseurs in Florence called the Società Colombaria,〔the organising meeting, 15 May 1735, convened in the "Colombaria" tower in the founding member Giovanni Girolamo de' Pazzi's palazzo in Borgo degli Albizi.〕 the predecessor of the Accademia Toscana di Scienze e Lettere la Colombaria,〔(Scholarly societies: Accademia Toscana di Scienze e Lettere la Colombaria )〕 in order to foster "not only Tuscan Poetry and Eloquence, or one faculty only; but almost all the most distinguished and useful parts of human knowledge: in a word, it is what the Greeks called Encyclopedia".〔Gori, "Prefazione," ''Memorie di varia erudizione della Società Colombaria Fiorentina'', Florence, 1747, vol. I, pp. XI-XII, quoted by the (IMSS Multimedia Catalog ).〕
==Gori's early career==
As a young man Gori studied with Anton Maria Salvini (1653-1729) and was inspired by the Etruscan studies of Filippo Buonarroti (1661-1733).〔Date from (''Dictionary of Art Historians'' )〕 He made a dramatic discovery in 1726 on the Via Appia near Rome. It was the ''columbarium'' of the household, both free and slaves, of Livia, the consort of Emperor Augustus. The following year he published it, with notes by Salvini, in a handsome folio with 21 engraved plates, under the title ''Monumentum sive columbarium libertorum et servorum Liviae Augustae et Caesarum, Romae detectum in Via Appia, anno MDCCXXVI'' (Florence, 1727).〔((Quaritch) Gori, ''Monumentum sive columbarium''... ); the title in full, ''Monumentum Sive Columbarium Libertorum et Servorum Liviae Augustae et Caesarum Romae detectum in Via Appia. Anno MDCCXXVI... Descriptum, & XX. Aere incisis Tabulis illustratum Adjectis Notis Clariss. V. Antonii Mariae Salvinii.''〕 Each of the book's plates was dedicated to an influential patron of the arts or a well-known connoisseur of antiquities, among them the English merchant banker Joseph Smith of Venice, who, though not yet English consul, was already a promising collector and patron, and Sir Thomas Dereham (died 1738),〔Noted by Quaritch.〕 an English bachelor who had been educated at the court of Cosimo III de' Medici and continued to reside in the city.〔Burke, ''A Genealogical and Heraldic History of the Extinct and Dormant Baronetcies'', ''s.v.'' "Dereham, of West Dereham".〕 Another publication of 1727 was Gori's repertory of classical inscriptions, ''Inscriptiones graecae et latinae''.
No doubt on the strength of his publication the previous year, Gori was commissioned by the Salviati to produce descriptive text for a vanity publication that described the chapel of Saint Antonino, bishop of Florence, in the church of San Marco, a vehicle of Salviati patronage and of their public ''figura''; the preface was signed by Alamanno Salviati.〔''Descrizione della capella di S. Antonino Vescovo di Firenze ...dedicata al medesimo santo dalla famiglia de Salviati patrizii fiorentini...'', Florence, 1728 ((on-line description of the volume )).〕
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